Started producing around 2006. I was mainly into early reggae and rock steady and dub, but also Jungle and Drum'n'Bass played a role in my early youth.

later, the dilatoriness of dubstep has caught me from the first moment on around
2007: deep basses, time & space for polyrythmic and organic beats.

Always haunting emotions in my sounds - or emotions haunting my sound. eiter way - i'm feeling while producing.
Most of my tracks are not downloadable or found at all online. That...

Started producing around 2006. I was mainly into early reggae and rock steady and dub, but also Jungle and Drum'n'Bass played a role in my early youth.

later, the dilatoriness of dubstep has caught me from the first moment on around
2007: deep basses, time & space for polyrythmic and organic beats.

Always haunting emotions in my sounds - or emotions haunting my sound. eiter way - i'm feeling while producing.
Most of my tracks are not downloadable or found at all online. That's because i follow the mentality, that not everything should be available everywhere and anytime.
I cut my productions on Acetate for playing purposes.

Yet still I'm on hold for a Label to release my music on Vinyl. I've had some labels stepping up but I can't really stand behind a digital release.
it's all about the physical being of music.

Been collecting vinyl since i'm 15 years old and still rolling - I DJ strictly vinyl and dubplates.

Some of my tracks have been rinsed on Rinse.fm and Sub.fm.
Some Dubplates are in Hands of Scene heads such as Mala (dmz, deep medi), Kode 9 (hyperdub) and Scuba (hotflush)